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THE MURDER OF COLONEL SABOW
The Story of a 15-Year Pentagon Cover-UpA Colonel in the US Marine Corps is bludgeoned to death in his home on the El Toro air station. A shot gun blast in his mouth fakes his suicide. His widow and his brother say he was set to expose secret arms flights. Former US Senator James Abourezk lays out a compelling case for a relentless cover-up by the Marine Corps and the federal government. PLUS Alexander Cockburn on the epics of Amazonia. Get your copy today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.
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Today's Stories May 31 / June 1, 2008 Alexander Cockburn May 30, 2008 Bassam Aramin Andrew Cockburn Saul Landau Nikolas Kozloff Robert Sandels Dave Lindorff Martha Rosenberg Harvey Wasserman Doug Giebel Shaun Harkin Website of the Day May 29, 2008 Jeffrey St. Clair Nikolas Kozloff Col. Dan Smith Karl Grossman William S. Lind Robert Weissman Dave Lindorff David Macaray Chris Genovali Laura Carlsen Website of the Day May 28, 2008 Wajahat Ali Ralph Nader Brian McKenna Corporate Crime Reporter Brian Cloughley Eric Walberg Michael Dickinson Ijaz Khan Website of the Day May 27, 2008 Alexander Cockburn Greg Kafoury Jean Bricmont Tim Wise Ricardo Alarcón Stephen Soldz Andy Worthington Alan Singer Richard Neville Susie Day May 26, 2008 Uri Avnery Bill Quigley Col. Dan Smith Cindy Sheehan Marjorie Cohn Fred Gardner Raymond J. Lawrence Harvey Wasserman Moncia Benderman David Rovics Website of the Day May 24 / 25, 2008 Alexander Cockburn Jeffrey St. Clair Barbara Rose Johnston Nikolas Kozloff Adriana Kojeve Robert Fantina Dave Lindorff David Yearsley Nelson P. Valdés Kathleen M. Barry John Ross Allison Kilkenny Fred Gardner Elizabeth Schulte Daniel Gross Christopher Brauchli Richard Rhames Daniel Cassidy Poets' Basement Website of the Weekend
May 23, 2008 Paul Craig Roberts Alan Farago Conn Hallinan Mark Engler George Wuerthner Kamran Matin Sandy Boyer / Robert Weitzel Cindy Sheehan Liaquat Ali Khan Website of the Day
May 22, 2008 Vijay Prashad Joanne Mariner Sharon Smith Jeff Birkenstein Brendan McQuade Peter Morici Niranjan Ramakrishnan Dave Zirin Ron Jacobs Stephen Lendman Website of the Day May 21, 2008 Jeffrey St. Clair Nikolas Kozloff Alan Farago Dave Lindorff David Model Eric Walberg Franklin Lamb Kenneth Couesbouc Website of the Day
May 20, 2008 Ralph Nader Uri Avnery Patrick Irelan Ray McGovern David Macaray Chris Genovali Ibrahim Fawal Christopher Ketcham Andy Worthington Martha Rosenberg Website of the Day May 19, 2008 Saul Landau Paul Craig Roberts Brian McKenna Patrick Cockburn B. R. Gowani Dr. Trudy Bond Cindy Sheehan John Mohawk Remi Kanazi Robert Day Website of the Day May 17 / 18, 2008 Alexander Cockburn Tim Wise Andy Worthington Robert Fantina Karim Makdisi Harry Browne John Ross Dave Lindorff Robert Weissman Laray Polk David Yearsley Ron Jacobs Paul Quinnett Sam Bahour Keeanga-Yamahtta Taylor Dr. Susan Block Kim Nicolini Jeremy Scahill Jeffrey St. Clair Poets' Basement
May 16, 2008 Stephen Soldz Jonathan Cook Paul Craig Roberts Christopher Brauchli James L. Secor Franklin Lamb Linn Washington, Jr. Dave Lindorff
May 15, 2008 Stan Cox Jeff Halper Greg Moses John Ross Ron Jacobs Binoy Kampmark Eve Spangler Martha Rosenberg Website of the Day May 14, 2008 Ismael Hossein-Zadeh Reza Fiyouzat Felice Pace Hamdan A. Yousuf / Dania S. Ahmed Robert Weitzel Ralph Nader Dave Lindorff Missy Comley Beattie Neve Gordon Dr. Susan Block Website of the Day May 13, 2008 David Rosen Alan Farago Saul Landau Saree Makdisi Paul Craig Roberts Andy Worthington Brother Bede Vincent Linda Mamoun David Macaray Website of the Day
May 12, 2008 St. Clair / Frank Ziga Vodovnik Gary Leupp Frankln Lamb Suzanne Baroud Martha Rosenberg Dave Zirin Carl Finamore Peter Morici Richard Rhames Website of the Day May 10 / 11, 2008 Alexander Cockburn Franklin Lamb Ciara Gilmartin Diane Farsetta Kent Paterson Alan Farago Rannie Amiri Patrick Irelan Robert Fantina Nikolas Kozloff George Ciccariello-Maher David Yearsley Ron Jacobs John Holt David Michael Green Ben Terrall Kim Nicolini Jeffrey St. Clair Poets' Basement
May 9, 2008 Franklin Lamb Andy Worthington Benjamin Dangl Mark A. Huddle David Macaray Dave Lindorff C.G. Estabrook Matt Kosko Robert Weissman Michael Dickinson Website of the Day May 8, 2008 Sharon Smith Saul Landau Laura Carlsen Binoy Kampmark Kenneth Couesbouc Liaquat Ali Khan Franklin Lamb Sen. Russ Feingold George Wuerthner Richard W. Behan Adam Federman Website of the Day
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Weekend Edition
May 31 / June 1, 2008 If the Chapman's Had Grown Up, How Much Better Off We Would Be If Hitler Had Been a Hippy ...By CHARLES THOMSON The worst of Britart has manifested in London this week with a new show in the White Cube gallery by the Chapman Brothers called If Hitler Had Been a Hippy How Happy Would We Be. The Chapmans are essentially an advertising agency whose one client is themselves. Their new show title has a catchy superficiality as any good advertising slogan should, and an accompanying lack of intellectual depth, as all advertising slogans must, because their suggestiveness cannot be substantiated by the material that informs them. In addition to the slogan, Jake and Dinos have an accompanying visual presentation, which consists of thirteen of Adolf Hitler’s topographical watercolours, carried out 1910-1913 in Vienna in his youthful enthusiasm to become an artist, before rejection in that career led him to become a butcher instead. These watercolours, of which Hitler estimated he had completed over a thousand, are unique historical artefacts. Their existence creates an awkward question as to how the mind that at one point sat quietly attending to aesthetic sensitivities could eventually reach such deranged extremes. To exhibit them should be not just controversial, but challenging, educative and a psychological and historical insight. Unfortunately, the Chapmans, like others in their cadre of artists, lead a solipsistic existence, nowhere better exemplified than in their most noted exponent Damien Hirst’s perception of the 9/11 attacks as an artwork, for which the creators “kind of need congratulating, which a lot of people shy away from, which is a very dangerous thing.” The only form of history which has any urgency is that concerning their own existence, whose importance is inflated beyond all proper proportion by an art world where spiralling prices are based on ephemera, because no one either has the perception to burst the bubble or the courage and power to do so. History is just one of the casualties. This is regrettable, as, in the words of the Spanish philosopher George Santayana, “those who cannot remember the past are condemned to repeat it.” The artefacts of the past are part of that memory and direct confrontation with them helps us to apprehend their original context. The Chapmans have managed to eviscerate any such engagement by carrying out what they consider to be “a staggering work of genius”. This consists of overpainting parts of Adolf’s watercolours with their own very crudely done rainbows, flowers, stars and similar motifs. This apparently makes the work no longer Hitler’s but the Chapman’s, who proclaim, “by mucking around with the past, we are making the future more apparent.” Exactly how that is achieved is not explained. It is not likely to be: it sounds good and implies profundity. It doesn’t matter if it falls apart, when subject to even minimal analysis, for so does the show title with its speculation of Hitler as a different kind of person. We don’t have to speculate what would have happened if Hitler had been a different kind of person. We know already, because when he did the watercolours, he was a different kind of person and it didn’t work. But to call the exhibition If Hitler Had Been an Artist How Happy Would We Be would inconveniently remove any need for the Chapmans in the equation and fail to justify the nearly 600% profit margin on the work from the original purchase price of £115,000 to the current asking price of £685,000. Happily, though, we are reassured by Tim Marlow, a broadcaster, who moonlights as the gallery’s director of exhibitions (or vice versa), that there is no notion of “trying to exploit the Hitler thing.” The Chapmans do not see the watercolours as able to bestow any insight: “All they indicate is that this person is not very good at art, they don't indicate this person will become a terrible tyrant.” That is exactly their value – the reduction of the myth and the bringing into focus of someone, with whom we have more in common than we would like to think. It is only by accepting the element of identification that we can understand the process by which the psyche can go horribly off course and, through understanding, attempt to prevent that from occurring, which, as Conrad pointed out in The Heart of Darkness, it can do very easily to seemingly balanced individuals in the wrong circumstances. Notorious incidents in Vietnam and Iraq – to name just two obvious examples – show a distinct lack of prevention, proceeding from an equal lack of understanding. The Chapman’s adolescent pranks have not helped that process, but merely continued their egocentric distortion of reality. And that is a very dangerous thing. Charles Thomson is co-founder of The Stuckists
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