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CIA's Overthrow Plans for Iran Agency musters Swiftboat vets, pumps funding into destabilization program aimed at Teheran. Trish Schuh reveals how White House approves race-baiting smears of Islam. Remember how Leadbelly got ripped off by Lomax, how Louis Armstrong's agent got richer than his most famous client? The rip-offs never die. Fred Wilhelms narrates how artists and musicians are being shafted in the age of the internet. Meet the real Judge John Roberts, serf for big business. Cockburn and St Clair dissect the Court's new nominee. Tailhook vet and self-proclaimed Tom Cruise model bites dust in Pentagon scandal: a defense industry parable. St. Clair on Duke Cunningham's Crash Landing. Get the answers you're looking for in the latest subscriber-only edition of CounterPunch ... CounterPunch Online is read by millions of viewers each month! But remember, we are funded solely by the subscribers to the print edition of CounterPunch. Please support this website by buying a subscription to our newsletter, which contains fresh material you won't find anywhere else, or by making a donation for the online edition. Remember contributions are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! or write CounterPunch, PO BOX 228, Petrolia, CA 95558 |
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from CounterPunch Books! The Case Against Israel By Michael Neumann ![]() Today's Stories August 27 / 28, 2005 Diane
Christian
August 26, 2005 Lee
Sustar Ramzy
Baroud Christopher
Brauchli Peter
Harley John
Snider Kathleen
Christison August 25, 2005 Paul
Craig Roberts Cockburn
/ St. Clair J.L.
Chestnut, Jr. Chhandasi
Pandya Richard
Ward Norman
Solomon Joshua
Frank Seth
Sandronsky Lucinda
Marshall VIPS Ralph
Nader
August 24, 2005 Stan
Goff Rachard
Itani Elisa
Salasin Ron
Jacobs John
Chuckman Leibowitz
/ Heller Douglas
Valentine Thomas
Nagy Alexander
Cockburn Website
of the Day
August 23, 2005 Rev.
Graylan Scott Hagler Karen
Kilroy Stew
Albert Joshua
Frank Dave
Zirin Julia
Olmstead CounterPunch
Wire Jason
Leopold Diane
Christian
August 22, 2005 Sonia
Nettnin Mike
Whitney Kevin
Zeese Norman
Solomon Christopher
Brauchli Jeff
Bale Greg
Moses
August 20 / 21, 2005 Alexander
Cockburn Saul
Landau Kevin
Zeese Greg
Moses Ray
McGovern Fred
Gardner Martin
Smith Benjamin
Granby Frankie
Lake Joshua
Frank Ron
Jacobs Tom
Crumpacker Mike
Ferner James
Petras Col.
Dan Smith Dr.
Teresa Whitehurst Ben
Tripp Poets'
Basement
August 19, 2005 Alexander
Cockburn Neve
Gordon Gary
Leupp William
S. Lind Vijay
Prashad Dave
Lindorff Pat
Williams John
Pilger Elaine
Cassel
August 18, 2005 Alexander
Cockburn Greg
Moses Ramzy
Baroud Joshua
Frank Monica
Benderman Paul
Craig Roberts
August 17, 2005 Alexander
Cockburn Robert
Jensen Carl
G. Estabrook Mike
Whitney Niranjan
Ramakrishnan Norman
Solomon Dave
Zirin Jennifer
Loewenstein CounterPunch
August 16, 2005 Greg
Moses Thomas
Larson Diana
Barahona Dave
Lindorff Rep.
Cynthia McKinney Elisa
Salasin David
Krieger Alexander
Cockburn Website
of the Day
August 15, 2005 Greg
Moses Paul
Craig Roberts Mike
Whitney Robert
Jensen CounterPunch
Wire Norman
Solomon Kathleen
Christison
August 13 / 14, 2005 Cockburn
/ St. Clair William
Blum Gary
Leupp Jack
Z. Bratich Brian
Cloughley Ron
Jacobs John
Farley Dave
Lindorff Tim
Wise J.L.
Chestnut, Jr. John
Gershman Felice
Pace Fred
Gardner David
Krieger Roxanne
Dunbar-Ortiz Ben
Tripp Poets'
Basement
August 12, 2005 Christopher
Brauchli Greg
Moses Ramzy
Baroud Norman
Solomon Chris
Genovali Chris
Floyd Tariq
Ali
August 11, 2005 Saul
Landau Dave
Lindorff Ralph
Nader Talli
Nauman Gary
Leupp Sharon
Smith Paul
Craig Roberts
August 10, 2005 Tim
Wise Ron
Jacobs Joshua
Frank Cynthia
McKinney Rick
Wilhelm Stan
Goff
August 9, 2005 Mike
Ferner Monica
Benderman Mike
Marqusee Rep.
Cynthia McKinney Paul
Craig Roberts
August 6-8, 2005 Alexander
Cockburn Jason
Leopold Ray
McGovern David
Krieger Sharon
K. Weiner / Robert Jensen Fred
Gardner
August 5, 2005 Bill
Christison Paul
Craig Roberts Alexander
Cockburn
August 4, 2005 Tom
Barry Lila
Rajiva Greg
Moses Alexander
Cockburn August 3, 2005
August 3, 2005 Alexander
Cockburn Paul
Craig Roberts William
A. Cook Dave
Zirin Dave
Lindorff José
Pertierra
August 2, 2005 Ramzi
Kysia William
A. Cook Paul
Craig Roberts Mike
Whitney Ron
Jacobs Norman
Madarsz Tim
Wise
August 1, 2005 Virginia
Rodino Diana
Barahona Joshua
Frank Mike
Whitney Norm
Dixon Norman
Solomon James
Petras
July 30 / 31, 2005 Alexander
Cockburn JoAnn
Wypijewski Sheldon
Rampton Jack
Z. Bratich Greg
Moses Jordan
Green Patrick
Cockburn Brian
Cloughley Justin
Taylor Saul
Landau John
Walsh Joshua
Frank Ron
Jacobs Fred
Gardner John
Chuckman Liaquat
Ali Khan Remi
Kanazi Naveen
Jaganathan Richard
Heinberg Max
Watts Ben
Tripp Poets'
Basement
July 29, 2005 Cockburn
/ St. Clair P.
Sainath Niranjan
Ramakrishnan Dave
Lindorff J.L.
Chestnut, Jr. Pat
Williams Norman
Solomon Sen.
Russ Feingold
July 28, 2005 Paul
Craig Roberts William
S. Lind Gilad
Atzmon Joshua
Frank Lila
Rajiva Amina
Mire Website
of the Day
July 27, 2005 Roger
Morris Gary
Leupp Paul
Craig Roberts Jackie
Corr Mike
Whitney Dave
Zirin Christopher
Bradley Norman
Solomon Website
of the Day
July 26, 2005 Suren
Pillay JoAnn
Wypijewski Patrick
Cockburn David
Anderson Joshua
Frank Lenni
Brenner David
Swanson
July 25, 2005 Paul
Craig Roberts M.
Shahid Alam Uri
Avnery Stan
Cox Norman
Solomon Ramzy
Baroud Mickey
Z. Website
of the Day
July 23 / 24, 2005 Alexander
Cockburn Tariq
Ali Robert
Fisk Dave
Lindorff Ricardo
Alarcón Col.
Dan Smith Brian
Cloughley Kevin
Zeese Bill
Quigley Fred
Gardner Rep.
Ron Paul Joshua
Frank Shivali
Tukdeo Gilad
Atzmon James
Petras Ben
Tripp Poets'
Basement Website
of the Weekend
July 22, 2005 Heather
Gray David
Domke Lance
Selfa JoAnn
Wypijewski
July 21, 2005 Rose
Ann DeMoro William
Blum J.L.
Chestnut, Jr. Christopher
Brauchli Joshua
Frank Brian
Concannon, Jr. Patrick
Cockburn Website
of the Day
July 20, 2005 Cockburn
/ St. Clair Roxanne
Dunbar-Ortiz Ray
McGovern Chris
Floyd Uri
Avnery Dave
Lindorff Norman
Solomon Bill
Quigley
July 19, 2005 Tariq
Ali John
Ross Davey
D. Greg
Weiher Brian
McKinlay Norman
Solomon Dave
Lindorff Bill
Christison Joshua
Frank
July 18, 2005 Joshua
Frank M.
Shahid Alam Jude
Wanniski Ron
Jacobs Mike
Whitney William
MacDougall Seth
Sandronsky Richard
Lichtman Paul
Craig Roberts Website
of the Weekend
July 15 / 17, 2005 Alexander
Cockburn Jeffrey
St. Clair Paul
Craig Roberts Harry
Browne Uri
Davis, Ilan Pappe and Tamar Yaron Andrew
Rubin Patrick
Cockburn J.L.
Chestnut, Jr. Fred
Gardner Christopher
Brauchli Chris
Floyd Ben
Tripp Col.
Dan Smith Jason
Leopold Jack
Random Norman
Solomon George
Ochenski Website
of the Weekend
July 14, 2005 Jeffrey
St. Clair Subcomandante
Marcos Dave
Lindorff Joshua
Frank Jude
Wanniski Dave
Zirin Kevin
Zeese Robert
Jensen Reza
Fiyouzat Carol
Norris Website
of the Day
July 13, 2005 Brian
Cloughley George
Galloway Carlos
Fierro Sarah
Knopp Norman
Solomon Mickey
Z. Jim
Minick Pat
Williams Andrew
N. Rubin Website
of the Day
July 12, 2005 Laith
al-Saud Kara
N. Tina William
A. Cook Jack
Bratich Amina
Mire Dick
J. Reavis Kevin
Zeese Paul
Craig Roberts Website
of the Day
July 9 / 11, 2005 Alexander
Cockburn Uri
Avnery Sheldon
Rampton Bill
Christison Robert
Fisk Stephen
Winspear Saul
Landau Behrooz
Ghamari Karl
Beitel Brian
Concannon, Jr. Fred
Gardner John
Whitlow Niranjan
Ramakrishnan Lila
Rajiva Laura
Carlsen Jackie
Corr Dave
Lindorff N.
D. Jayaprakash Seth
Sandronsky Norman
Madarasz Ben
Tripp Poets'
Basement Website
of the Weekend
July 8, 2005 Paul
Craig Roberts Tariq
Ali Monica
Benderman Rick
Jahnkow Christopher
Brauchli Kim
Peterson Joshua
Frank Norman
Solomon Website
of the Day
July 7, 2005 Cockburn
/ St. Clair John
Walsh Mike
Marqusee Gilad
Atzmon Nicole
Colson Jack
Random Norman
Solomon Len
Colodny Cockburn
/ St. Clair
Hot Stories Alexander Cockburn Subcomandante
Marcos Norman Finkelstein Steve Niva Dardagan,
Slobodo and Williams Steve
J.B. Sheldon
Rampton and John Stauber Wendell
Berry CounterPunch
Wire Cindy
Corrie Gore Vidal Francis Boyle
Subscribe Online
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August 27 / 28, 2005 Barenboim and RamallahAn Unfinished SymphonyBy NICHOLAS ROWE Catharsis, whilst liberating, is also terribly humbling. I admit to being a stubborn, self-righteous person, traits that are generally laughed at by those close to me, tolerated by those nearby, and reviled by those at a distance. Changing my view of the world, therefore, is a humiliating agony. Publicly changing it on a political subject? Suicide seems easier. And yet the West Eastern Divan Orchestra has prompted a very profound change that would be cowardly to deny. When I heard that (following a workshop in Spain) a mixed group of Israeli and Palestinian musicians was going to perform at Ramallah's Cultural Palace led by Israeli conductor Daniel Barenboim, my reflex was strong, my direction certain. But then something happened Perhaps the easiest way to explain this twist is to chart it chronologically. Three days before their August 21st concert, these were my feelings:
For many (including myself), the prospect of attending such a performance felt somewhat nauseating. And so for many (excluding myself) boycotting the Ramallah event seemed the right thing to do. I went along, however, determined not to be ignorant of the slightest nuance of this gesture, fully armed and ready to unleash my torrid of damnation. I entered the packed hall, took my seat amongst the thronging crowd, and the music began. First came Mozart's Sinfonia Concertante in E-flat for winds an amiable, but (to be honest) trivial piece of music. Aural window dressing, an expression of naïve prettiness that I believe even Mozart composed in mockery of the superficial, hypocritical social order surrounding him. My thoughts continued "So how do I know that today's violins will not be replaced by M16s tomorrow, that these "peace-loving" Israelis, these musicians sitting before me on stage today will not stand before me at the Qalandia check-point tomorrow? How desperate are these young Palestinians, ready to forsake all their values just for a chance to play music." Mozart's twiddling melodies dithered around and around, an affront to my rigid posture in the chair, and so I began to scan my list, the things I would expect of an Israeli before I would be willing to work with them, the list that I had published 5 years earlier...
I am not, of course, the first to object to cultural interaction with Israeli artists. As a means of non-violent protest, refusing "cultural-normalization" with Zionists has a long and controversial history amongst Palestinian artists. Dating as far back as the locally organized cultural boycotts of British and Zionist musical groups in the 1930s, breaking such lines has led to some of the longest rifts inside the local Palestinian arts community. Institutions and artists have been internally boycotted for decades because of involvement in such cultural interaction. Others have been left off certain international funding-wagons because of their unwillingness to do so. Following a peak during the heady days of the Oslo peace process, activities that brought Palestinian and Israeli artists together in cultural activities quickly declined with the onset of the second Intifada. Seen as a weapon used by Israel, a means of whitewashing over the oppression of Palestinians in front of a global audience, the rejection of cultural interaction was founded in clear political reasoning, not petty communal spite. Whilst the idea of "cultural normalization" is generally considered to be negative by most Palestinians (and equated with Palestinian submission to illegal Israeli actions), there has remained a collective uncertainty over what it actually is. This has led to conflicting episodes within Palestinian history. In 1999 the Israeli citizen Daniel Barenboim first performed for Palestinians at Birzeit University. The same year, a Spanish Flamenco group was uninvited by the Palestine International Festival, when it was discovered that two of the members held Israeli citizenship. In most other regions of the world, collective national standards outlaw such discrimination based on nationality, or outlaw such interaction based on nationality. Within Palestine, ironically, artists and institutions have greater freedom to make such decisions on a case-by-case basis. As such, the local definition of normalization covers a very broad spectrum. At one end, there is the "indiscriminate" definition, similar to the national policy of Lebanon. By this definition, any interaction with Israeli artists and organizations constitutes normalization (even interaction with "Arab-Israeli" organizations, which has led to the boycotting of Palestinians in municipal cultural centres inside the '48 borders). At the other extreme is the "conditional" definition of normalization. This definition suggests an event only constitutes cultural-normalization when the Palestinian participants are expected to bow to the political conditions of the Israelis, by condemning specific "terrorist" groups or acknowledging Israel's "right to exist in peace and security," and that anything else is just individual cooperation. If we are to consider "cultural normalization" as a negative phenomenon, both of these definitions seem problematic. It seems ridiculous (even as blindly bigoted as the Zionist actions being resisted) to deny an artistic interaction with somebody simply based on their birthplace/religion/ethnicity. Media coverage and political manipulation make it impossible, however, for a cultural interaction between Palestinians and Israelis to be completely apolitical, regardless of any absence of direct political commentary. As Omar Barghouti (a founding member of the Palestinian Campaign for the Academic and Cultural Boycott of Israel) says, "Joint projects that claim to be apolitical are the most blatantly politicized since they deliberately disregard the context of colonial oppression and deceivingly imply the possibility of achieving peace without addressing the root causes of conflict....Normal relations between peoples can only flourish after oppression has ended, not before and not as a prelude to it." As such, the middle path, suggesting that cultural interaction with Israeli individuals must be premised with an acceptance of Palestinian conditions, seemed the right way. I considered how Barenboim shaped up to my little list, as we moved into the bubbling third movement of the Sinfonia Concertante. He had confronted the Israeli Knesset and condemned the Wall and the occupation, yet his shallow understanding of the Palestinian situation was betrayed by conclusions that "There can be no peace if the Palestinians deny the Holocaust. But there can also be no peace if Israelis do not accept at least partial responsibility for the conflict." My thoughts continued
These very goals seemed to be encapsulated in the post-interval speeches of the invited Palestinian politicians, Nabeel Shaath and Mustafa Barghouti. Whilst they made criticism of the Wall and the occupation, the "R" and "P" words were conspicuously absent from their vocabularies, as though the whole concept of Refugees and political Prisoners dropped outside the parameters of acceptable political dialogue on this occasion. Conversely, the word "East" was very clearly underlined in any mention of Palestinian access to Jerusalem. Words tumbling over words tumbling over words, absent words, present words, uncomfortable words, forgotten words. Was this all part of the trade-off, for a night of classical music? Then the words were over, the orchestra returned, Beethoven's 5th Symphony began.
Past experience would seem to suggest that it is not. From the Israeli appropriation of dabkeh as their national dance in the 1930-40s, to other elements of cultural absorption, knowledge of another's culture does not necessarily breed respect for their humanity. As Ilan Pappe notes, "music has no political or substantial cultural implication for the identity and behaviour of the society or state, and the most right-wing parties play (Arabic music) at the very rallies where they preach anti-Arabic rhetoric. Even th |