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The New Campus McCarthyism
There’s a McCarthyite campaign in full spate across higher education in the U.S. today. For every headline case, like Norman Finkelstein or Joseph Massad, there are three or four less-publicized smear campaigns. In the sights of the witch-hunters are faculty targeted as “anti-Israel”, as terror-symps, as leftists. In our latest newsletter we feature the personal history of Victoria Fontan, a Frenchwoman who came to a US campus from field work in the back alleys of Fallujah and found out just how devastating academic warfare can be. ALSO -- Saving the Florida Everglades – Alan Farago reports from the battlefront. PLUS -- They aimed at Moscow, They Hit Kabul: Serge Halimi on Sarkozy and NATO’s Mission Creep. Get your new edition today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.Order CounterPunch By Email For Only $35 a Year !
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Today's Stories April 16, 2009 Mike Whitney Russell Mokhiber Ronald Teska Gareth Porter Paul Fitzgerald / Benjamin Dangl Robert Bryce April 15, 2009 Kathleen and Bill Christison Ray McGovern Robert Sandels Heather Williams / Jack Willoughby David Swanson Paul Craig Roberts Sara Mann Kenneth Couesbouc Binoy Kampmark Kekuni Blaisdell, Lynette Hi'llani Cruz, George Kahumoku Flores, et al.: An Urgent Letter to Obama on the Rights of Native Hawaiians Website of the Day April 14, 2009 Conn Hallinan Mike Whitney Peter Morici Greg Moses Fidel Castro Robert Weissman Rebecca Macaux / Carmelo Ruiz-Marrero Dave Lindorff Walter Brasch Benjamin Day Website of the Day April 13, 2009 Patrick Cockburn Uri Avnery Jeremy Scahill Martha Rosenberg Karl Grossman Nadia Hijab Sam Smith James McEnteer Sean McMahon Namihei Odaira John V. Walsh Website of the Day April 10 / 12, 2009 Alexander Cockburn Chris Floyd Mike Whitney Saul Landau M. Reza Pirbhai Franklin Spinney Rannie Amiri William Blum Matt Vidal Jeff Howison Jeff Leys Dave Lindorff Ramzy Baroud Missy Beattie Fred Gardner Harvey Wasserman Another $50 Billion for Rust Bucket Nukes? Suzan Mazur Bernard Umbrecht David Macaray Janet Kauffman Ron Jacobs Norman Solomon Michael Winship Richard Rhames Wanda Fucha David Yearsley Lorenzo Wolff Ben Sonnenberg Jeffrey St. Clair Poets' Basement Website of the Weekend April 9, 2009 Mike Whitney Patrick Cockburn Stephen Soldz P. Sainath Ellen Cantarow Gareth Porter / Jeremy Scahill Jerry Kroth Binoy Kampmark Fidel Castro Website of the Day April 8, 2009 John Prados Bill Moyers / Winslow T. Wheeler Russell Mokhiber Kathy Sanborn Rev. William E. Alberts James McEnteer Rashomon and the Binghamton Shooter: the Rush to Interpret Jiverly Wong's "Statement" Nadia Hijab Adam Turl Kevin Zeese Website of the Day April 7, 2009 David Price Uri Avnery Chris Floyd Winslow T. Wheeler Defense Cuts: Gates and the System Marjorie Cohn Dean Baker Diana Johnstone Dave Lindorff Martha Rosenberg Evelyn Pringle Website of the Day April 6, 2009 Michael Hudson Andy Worthington Bagram: Guantánamo's Dark Mirror Ray McGovern Deepak Tripathi Mike Whitney Norman Solomon Jonathan Cook Judith Bello Deena Metzger Blackwater in Liberia Dr. M. Kamiar Website of the Day April 3-5, 2009 Alexander Cockburn Kathy Kelly / Peter Morici Kathy Sanborn Andy Worthington Rob Larson Saul Landau Steve Early John Goekler Rannie Amiri Dave Lindorff Lee Ballinger Ron Jacobs David Macaray John Wight Keeanga-Yamahtta Taylor Mychal Bell Missy Beattie Reza Fiyouzat Michael Boldin Christopher Brauchli Charles R. Larson Susie Day Stephen Martin Kim Nicolini David Yearsley Phyllis Pollack Poets' Basement Website of the Day
April 2, 2009 Robert Weissman Eric Toussaint / George Bisharat Russell Mokhiber Franklin Lamb Gareth Porter David Macaray Chris Genovali Sam Smith Suzan Mazur Website of the Day
April 1, 2009 Chris Floyd Stanley Heller Mark Brenner, Mischa Gaus and Jane Slaughter Obama's Perilous Plan for Detroit: Restructure the Big 3, But Not With Bankruptcy Jonathan Cook Eric Walberg Richard Morse Don Fitz Laray Polk Belén Fernández Harvey Wasserman Website of the Day March 31, 2009 Uri Avnery Peter Lee Nicholas Dearden Dave Lindorff Joanne Mariner Ron Jacobs Wiliam S. Lind David Michael Green Benjamin Dangl Johnny Barber Dedrick Muhammad Website of the Day March 30, 2009 Michael Hudson Patrick Cockburn Henry A. Giroux Mike Whitney Ralph Nader Paul Craig Roberts Jeremy Scahill Robert Bryce Jonathan Cook Ray McGovern Website of the Day
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April 16, 2009 Poet, Historian, Surrealist ActivistThe Surreal Life of Franklin RosemontBy PAUL GARON, DAVID ROEDIGER and KATE KHATIB Franklin Rosemont, celebrated poet, artist, historian, street speaker, and surrealist activist, died Sunday, April 12 in Chicago. He was 65 years old. With his partner and comrade, Penelope Rosemont, and lifelong friend Paul Garon, he co-founded the Chicago Surrealist Group, an enduring and adventuresome collection of characters that would make the city a center for the reemergence of that movement of artistic and political revolt. Over the course of the following four decades, Franklin and his Chicago comrades produced a body of work, of declarations, manifestos, poetry, collage, hidden histories, and other interventions that has, without doubt, inspired an entirely new generation of revolution in the service of the marvelous. Franklin Rosemont was born in Chicago on October 2, 1943 to two of the area’s more significant rank-and-file labor activists, the printer Henry Rosemont and the jazz musician Sally Rosemont. Dropping out of Maywood schools after his third year of high school (and instead spending countless hours in the Art Institute of Chicago’s library learning about surrealism), he managed nonetheless to enter Roosevelt University in 1962. Already radicalized through family tradition, and his own investigation of political comics, the Freedom Rides, and the Cuban Revolution, Franklin was immediately drawn into the stormy student movement at Roosevelt. Looking back on those days, Franklin would tell anyone who asked that he had “majored in St. Clair Drake” at Roosevelt. Under the mentorship of the great African American scholar, he began to explore much wider worlds of the urban experience, of racial politics, and of historical scholarship—all concerns that would remain central for him throughout the rest of his life. He also continued his investigations into surrealism, and soon, with Penelope, he traveled to Paris in the winter of 1965 where he found André Breton and the remaining members of the Paris Surrealist Group. The Parisians were just as taken with the young Americans as Franklin and Penelope were with them, as it turned out, and their encounter that summer was a turning point in the lives of both Rosemonts. With the support of the Paris group, they returned to the United States later that year and founded America’s first and most enduring indigenous surrealist group, characterized by close study and passionate activity and dedicated equally to artistic production and political organizing. When Breton died in 1966, Franklin worked with his wife, Elisa, to put together the first collection of André’s writings in English. Active in the 1960s with the Industrial Workers of the World (IWW), the Rebel Worker group, the Solidarity Bookshop and Students for a Democratic Society, Franklin helped to lead an IWW strike of blueberry pickers in Michigan in 1964, and put his considerable talents as a propagandist and pamphleteer to work producing posters, flyers, newspapers, and broadsheets on the SDS printing press. A long and fruitful collaboration with Paul Buhle began in 1970 with a special surrealist issue of Radical America. Lavish, funny, and barbed issues of Arsenal/Surrealist Subversion and special issues of Cultural Correspondence were to follow. The smashing success of the 1968 World Surrealist Exhibition at Gallery Bugs Bunny in Chicago announced the ability of the American group to make a huge cultural impact without ceasing to be critics of the frozen mainstreams of art and politics. The Rosemonts soon became leading figures in the reorganization of the nation’s oldest labor press, Charles H. Kerr Company. Under the mantle of the Kerr Company and its surrealist imprint Black Swan Editions, Franklin edited and printed the work of some of the most important figures in the development of the political left: C.L.R. James, Marty Glaberman, Benjamin Péret and Jacques Vaché, T-Bone Slim, Mother Jones, Lucy Parsons, and, in a new book released just days before Franklin’s death, Carl Sandburg. In later years, he created and edited the Surrealist Histories series at the University of Texas Press, in addition to continuing his work with Kerr Co. and Black Swan. A friend and valued colleague of such figures as Studs Terkel, Mary Low, the poets Philip Lamantia, Diane di Prima, Lawrence Ferlinghetti, and Dennis Brutus, the painter Lenora Carrington, and the historians Paul Buhle, David Roediger, John Bracey, and Robin D.G. Kelley, Rosemont’s own artistic and creative work was almost impossibly varied in inspirations and results. Without ever holding a university post, he wrote or edited more than a score of books while acting as a great resource for a host of other writers. He became perhaps the most productive scholar of labor and the left in the United States. His spectacular study, Joe Hill: The I.W.W. and the Making of a Revolutionary Workingclass Counterculture, began as a slim projected volume of that revolutionary martyr’s rediscovered cartoons and grew to giant volume providing our best guide to what the early twentieth century radical movement was like and what radical history might do. His coedited volume Haymarket Scrapbook stands as the most beautifully illustrated labor history publication of the recent past. Indispensable compendiums like The Big Red Songbook, What is Surrealism?, Menagerie in Revolt, and the forthcoming Black Surrealism are there to ensure that the legacy of the movements that inspired him continue to inspire young radicals for generations to come. In none of this did Rosemont separate scholarship from art, or art from revolt. His books of poetry include Morning of the Machine Gun, Lamps Hurled at the Stunning Algebra of Ants, The Apple of the Automatic Zebra’s Eye and Penelope. His marvelous fierce, whimsical and funny artwork—to which he contributed a new piece every day—graced countless surrealist publications and exhibitions. Indeed, between the history he himself helped create and the history he helped uncover, Franklin was never without a story to tell or a book to write—about the IWW, SDS, Hobohemia in Chicago, the Rebel Worker, about the past 100 years or so of radical publishing in the US, or about the international network of Surrealists who seemed to always be passing through the Rosemonts’ Rogers Park home. As engaged with and excited by new surrealist and radical endeavors as he was with historical ones, Franklin was always at work responding to queries from a new generation of radicals and surrealists, and was a generous and rigorous interlocutor. In every new project, every revolt against misery, with which he came into contact, Franklin recognized the glimmers of the free and unfettered imagination, and lent his own boundless creativity to each and every struggle around him, inspiring, sustaining, and teaching the next generation of surrealists worldwide.
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Now Available from CounterPunch Books! Spell Albuquerque: Waiting for
Lightning
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