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CounterPunch

February 22, 2003

Guernica

by DAVID KRIEGER

Picasso's passion for peace
Symbol of war's horrors
Screams of death and agony
Fallen man, fallen horse

Nazi Luftwaffe bombs falling
On small Basque village
It was market day, market day
The streets were jammed

Nazis bombed and strafed
Planes diving, machine guns firing
The young Luftwaffe pilots
Found the marketplace

Screaming villagers and peasants
Running for their lives
As death blurted from the sky that day
Seventeen hundred murdered and maimed

Picasso shared his human outrage
In his unforgettable Guernica
The Guernica of screams and death
Of fallen man, fallen horse

Cowardly diplomats and generals
Try to hide Guernica but they cannot;
Cover Guernica and it emerges
Starker, stronger, truer

Guernica was painted for you
Watch the ones who avert their eyes
As they slink by in shame
Planning new wars, new sorrow.

A Note on Guernica.

Guernica is a small Basque village that was brutally attacked by the Nazi Luftwaffe on April 27, 1937, during the Spanish Civil War. The attack on the unarmed inhabitants of Guernica left 1,700 villagers and peasants dead or maimed. It was the first time that an air force had deliberately attacked a civilian population.

The tragedy and brutality that occurred at Guernica was immortalized by Pablo Picasso in his impassioned mural expressing his outrage at the murderous attack. It is one of Picasso's masterpieces that is known throughout the world. It depicts the horrors of war, the silent screams of men and beasts.

Of late, Picasso's Guernica has been in the news. The tapestry reproduction of the famous mural that hangs outside the entrance to the United Nations Security Council was covered with a blue curtain on the occasion of US Secretary of State Colin Powell presenting his evidence to the Council for war against Saddam Hussein. UN officials said that the blue curtain was to provide a better background for the television cameras. Certainly it is a more comfortable background, far easier on the eyes and minds of those who plead for war than the twisted, tormented figures portrayed in Picasso's Guernica.

No leader should be protected from Picasso's Guernica. The tapestry of Guernica hanging outside the Security Council is a reminder to leaders of the brutality of war. To cover such art is to hide from the truth, and is made all the worse when it is done to protect the sensibilities of leaders who would wage war.

Those leaders who would promote war for any reason should at a minimum have the courage to look straight at Picasso's Guernica. War should never be sanitized or made to appear heroic. There is nothing heroic about middle aged war hawks sending young men and women off to kill and die. It was not heroic at Guernica, and it is no more so today.

David Krieger is president of the Nuclear Age Peace Foundation. He is the editor of The Poetry of Peace (Capra Press, 2002). He can be reached at: dkrieger@napf.org

Lick the Spoon

by BEN TRIPP

These are desperate times
Our fondest dreams
A month-old gallon of cheap ice cream
A couple of pounds of sugarfoam
Shot into a cardboard carton
Tossed in the cart with the
Luncheon meat
And orange juice
Ten cans of coupon soup
And the latest issue of People Magazine.

Even our dreams aren't rich any more
Heaven is a planned community
Where Kenny Rogers sings forever
In the absence of black people.
There's always a little Rocky Road
Or Almond Ripple
A few scrapes of French Vanilla
In the bottom of the carton
In the freezer of our kitchenette
In the poolside condo
By the 18th hole
In a Kingdom of Heaven
That looks like paradise in the postcards
But requires irrigation
To keep the golf course green.

These are desperate times
Our fondest dreams
Are sold to us in cardboard cartons
And eaten with a spoon
Standing by the fridge
On a guilty midnight
The only difference between my dreams
And the dreams of a Jesus Lover
Is I buy my dreams off the rack by the register
And they get theirs in the mail.

Ben Tripp is a screenwriter and cartoonist. He can be reached at: credel@earthlink.net

Axis of Assholes:
a Backside Ballad

By CHARLES M. ASHLEY

Those who shit in White House walls
Roll their shit in great big balls.

Those who love the Limbaugh wit
Eat those great big balls of shit.

Those of us who live with them
Are forced to eat and sigh, "A-hem!"

Stop and stand and shout, "Not me!"
Sling some back and laugh, Tee hee!"

Charles M. Ashley lives in Tollhouse, CA.


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February 15 / 16, 2003

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Col. Dan Smith
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The Lies of Tom Lantos

Ranjit Hoskote
The Invisible Modernities of the Islamic World

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